R 91,799.00

**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson** 48 Input, 16 Output Stage Box with 48 Midas Microphone Preamplifiers Product Features PRO SERIES DL251 DL251 is a 5U 19" fixed-configuration rack I/O unit with 48 mic/line level...

MIDAS DL 32

DIGITAL MIXERS

R 28,799.00

{"id":4812190089278,"title":"MIDAS DL 32","handle":"midas-dl-32","description":"\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson**\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"features mt-4 mt-sm-6\"\u003e\n\u003ch3\u003e32 Input, 16 Output Stage Box with 32 Midas Microphone Preamplifiers, ULTRANET and ADAT Interfaces\u003c\/h3\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch2 class=\"font-weight-normal\"\u003eProduct Features\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"pfi\" class=\"collapse show\"\u003e\n\u003cdiv class=\"row mt-3\"\u003e\n\u003cdiv class=\"col-sm-20\"\u003e\n\u003cul class=\"list list--bullet-midas list--circle list--brown list--col-lg-2 pl-1 pl-sm-0\"\u003e\n\u003cli\u003e\n\u003cp\u003e32 award-winning Midas PRO microphone preamplifiers with switchable 48 V phantom power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e16 electronically balanced low impedance line level outputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eULTRANET personal monitoring system connectivity for in-ear applications\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDigital audio and control connectivity for Turbosound speaker systems with ULTRANET networking capability\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDual AES50 SuperMAC ports for cascading additional DL16 stageboxes no merger or router required\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAutomatic AES50 stage-split mode when connected between Midas M32 Series FOH and monitor consoles\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDual ADAT outputs providing 16-channel digital output on two optical TOSLINK* connectors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e2 AES-3 ports (AES\/EBU), for directly connecting PA system controllers with digital inputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRemote operation via shielded CAT5e cable up to 330 ft \/ 100 m length\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMute All function for quietly patching any inputs on stage\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMIDI In\/Out for bidirectional communication between Midas M32 Series console and on-stage MIDI devices\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFeatures Neutrik etherCON* AES50 and ULTRANET network ports\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRugged 3U rackmount chassis for durability in portable applications\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAuto-ranging universal switch-mode power supply\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e10-Year Warranty Program*\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDesigned and engineered in the U.K.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003ch3 class=\"col-sm\"\u003e\u003cimg alt=\"DL32\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hc8\/h52\/8847173451806.jpg\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDL32\u003c\/h3\u003e\n\u003cp\u003eDigital mixing has revolutionized virtually everything in the live-entertainment production workflow. The DL32 is the perfect solution for connecting the onstage talent with your Front of House (FOH) console, and the rest of the world – the I\/O packed and highly affordable DL32 digital stage box. The DL32 provides 32\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS PRO Series\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eremote-controllable mic preamps, plus 16 balanced analog XLR returns at the stage end – and all it takes is a single Cat 5e cable (up to 100 m \/ 328'). While\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/klarkteknik\/home\" target=\"_blank\"\u003eKLARK TEKNIK\u003c\/a\u003e, the industry-leader in high-end digital audio processing, invented the AES50 SuperMAC technology that made it all possible – our superb scale of production makes the DL32 so very affordable.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003ch3 class=\"col-sm\"\u003e\u003cimg alt=\"MIDAS - The Legend in Sound Quality\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h39\/h45\/8847173419038.jpg\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eMIDAS - The Legend in Sound Quality\u003c\/h3\u003e\n\u003cp\u003eEver since our formation in the 1970s, we have had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations worldwide, legendary consoles, such as the XL4 and Heritage H3000 have quickly become industry standards.\u003cbr\u003e\u003cbr\u003eWe have earned an impeccable reputation due to our no-compromise approach to audio and build quality, and in particular for our Award-winning Mic Preamps, which are considered by industry experts as the industry’s best-sounding designs. Building on this legacy, the XL8 and PRO Series of Live Mixing Systems continue this great heritage of Award-winning audio quality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003ch3 class=\"col-sm\"\u003e\u003cimg alt=\"Massive Connectivity\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h92\/h31\/8847173517342.jpg\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eMassive Connectivity\u003c\/h3\u003e\n\u003cp\u003eWhen used as part of a complete\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/Categories\/Midas\/Mixers\/Digital-Mixers\/M32\/p\/P0B3I\" target=\"_blank\"\u003eM32\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003esystem, two DL32 Stage Boxes can be cascaded via the built-in AES50 ports, providing connectivity for up to 64 mic\/line inputs, 32 balanced outputs and the ULTRANET port allows direct connection to\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/Categories\/Turbosound\/Loudspeaker-Systems\/Portable-Speakers\/iQ15\/p\/P0APM\" target=\"_blank\"\u003eTURBOSOND iQ\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eSeries loudspeakers and the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/behringer\/home\" target=\"_blank\"\u003eBEHRINGER\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ePOWERPLAY P-16 Personal Monitoring System – which can feed up to 48 individual monitor mixers. We also included 2 optical ADAT sockets and AES-3 (AES\/EBU) for connecting to outboard devices, a convenient USB port for system updates via your PC – plus MIDI I\/O for lighting systems and sound module control.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"marketing-copy-collapse\" class=\"marketing-copies collapse show\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003ch3 class=\"col-sm\"\u003e\u003cimg alt=\"Ecosystem and Beyond\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h24\/h60\/8847173648414.jpg\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eEcosystem and Beyond\u003c\/h3\u003e\n\u003cp\u003eThe DL32 was initially designed with our\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/Categories\/Midas\/Mixers\/Digital-Mixers\/M32\/p\/P0B3I\" target=\"_blank\"\u003eM32\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eDigital Mixing Console in mind, but any mixingboard with AES50 networking capability can still tap directly into the DL32’s powerful feature set.For instance, a DL32 and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/Categories\/Midas\/Mixers\/Digital-Mixers\/M32C\/p\/P0BM8\" target=\"_blank\"\u003eM32C\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecould be jointly utilised to create a remote controlled digital mixingsystem in only 4U. Another prime application might include the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/Categories\/Midas\/Mixers\/Digital-Mixers\/M32C\/p\/P0BM8\" target=\"_blank\"\u003eM32C\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eproviding independentmonitor mix duties, while also relaying and sharing all I\/O with the main console – an\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/Categories\/Midas\/Mixers\/Digital-Mixers\/M32\/p\/P0B3I\" target=\"_blank\"\u003eM32\u003c\/a\u003e, or anyother digital mixer that supports MADI, Dante, ADAT or AES50 I\/O. Reasonably priced option cards to replace the standard 32 x 32 channel USB interface are separately available for that exact purpose.You can even mix the complete show from the onstage\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/Categories\/Midas\/Mixers\/Digital-Mixers\/M32C\/p\/P0BM8\" target=\"_blank\"\u003eM32C\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003evia dedicated remote control apps. And since the DL32 and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/Categories\/Midas\/Mixers\/Digital-Mixers\/M32C\/p\/P0BM8\" target=\"_blank\"\u003eM32C\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecommunicate via AES50, they can be separated by up to 100 m (328')of CAT5 cabling, should that be more convenient for the venue.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003ch3 class=\"col-sm\"\u003e\u003cimg alt=\"ULTRANET – Seamless Integration\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hae\/haa\/8847173615646.jpg\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eULTRANET – Seamless Integration\u003c\/h3\u003e\n\u003cp\u003eThe world-renowned engineers at\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/klarkteknik\/home\" target=\"_blank\"\u003eKLARK TEKNIK\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/turbosound\/home\" target=\"_blank\"\u003eTURBOSOUND\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/behringer\/home\" target=\"_blank\"\u003eBEHRINGER\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ehave all come together to create something truly innovative that will change your live and studio workflow forever – welcome to ULTRANET. This revolutionary technology seamlessly transmits up to 16 independent channels of 24-bit digital audio and control data via a single CAT5 cable between compatible digital devices – including mixers, I\/O stage boxes, powered loudspeakers and personal monitoring systems. Advantages realized through ULTRANET digital networking, versus traditional analog methods include: audio signals are impervious to Radio Frequency Interference (RFI); signal crosstalk is eliminated, and ease of use translates directly into a significant amount of time saved during show setup or installation. ULTRANET effectuates a powerful digital eco-system, which we call “Acoustic Integration”, providing unparalleled control over every element of your audio production environment from one convenient location.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003ch3 class=\"col-sm\"\u003e\u003cimg alt=\"KLARK TEKNIK AES50\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h85\/hde\/8847173713950.jpg\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eKLARK TEKNIK AES50\u003c\/h3\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/klarkteknik\/home\" target=\"_blank\"\u003eKLARK TEKNIK\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eSuperMAC (AES50-Compliant) technology gives the DL32 its high-capacity, ultra-low latency digital interconnectivity, as well as superbly simple deployment and ease of use.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/klarkteknik\/home\" target=\"_blank\"\u003eKLARK TEKNIK\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eengineers worked hand-in-hand with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eto ensure the DL32 meets, or exceeds, the requirements of live entertainers and their professional audio engineers. Some of the outstanding features are:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e48 bidirectional audio channels over Cat 5e cable (48 kHz)\u003c\/li\u003e\n\u003cli\u003eSingle cable duplex interconnection for audio and sample clocks\u003c\/li\u003e\n\u003cli\u003eEthernet physical layer audio data transmission\u003c\/li\u003e\n\u003cli\u003eHigh channel count and ultra-low deterministic latency\u003c\/li\u003e\n\u003cli\u003eAccurate phase-aligned clock distribution.\u003c\/li\u003e\n\u003cli\u003eComprehensive error detection and management\u003c\/li\u003e\n\u003cli\u003eProvision for redundant networking\u003c\/li\u003e\n\u003cli\u003eMinimal configuration – total ease of deployment and use\u003c\/li\u003e\n\u003cli\u003eEthernet TCP\/IP protocol-compatible auxiliary data channel\u003c\/li\u003e\n\u003cli\u003eRoyalty-free implementations available as Xilinx FPGA cores\u003c\/li\u003e\n\u003cli\u003eOEM modules available from developer partners\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003ch3 class=\"col-sm\"\u003e\u003cimg alt=\"Extraordinary Value\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h30\/haa\/8847173779486.jpg\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eExtraordinary Value\u003c\/h3\u003e\n\u003cp\u003eAs you can see, the DL32 is an extremely versatile 32 x 16 digital stage box solution with our remote-controllable mic preamplifiers,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/klarkteknik\/home\" target=\"_blank\"\u003eKLARK TEKNIK\u003c\/a\u003e’s AES50 connectivity and a wealth of other professional-grade features – all at a price anyone can afford. Built tough enough to withstand the rigors of the road, the DL32 only takes up two rack spaces and connects to FOH with a single, inexpensive CAT5 cable.\u003cbr\u003e\u003cbr\u003eNow you can have the missing link between the stage and FOH at a fraction of the cost of competing systems – and we back it up with a comprehensive warranty program.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2021-02-08T14:38:41+02:00","created_at":"2021-02-08T14:38:39+02:00","vendor":"MIDAS","type":"DIGITAL MIXERS","tags":["32","DIGITAL","DL","MIDAS","MIXER","PRO","STAGEBOX"],"price":2879900,"price_min":2879900,"price_max":2879900,"available":true,"price_varies":false,"compare_at_price":2879900,"compare_at_price_min":2879900,"compare_at_price_max":2879900,"compare_at_price_varies":false,"variants":[{"id":32764192653374,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"DL32","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MIDAS DL 32","public_title":null,"options":["Default Title"],"price":2879900,"weight":6000,"compare_at_price":2879900,"inventory_quantity":3,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DL32_P0BMD_Front_XL.png?v=1612787921","\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DL32_P0BMD_Left_XL.png?v=1612787922","\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DL32_P0BMD_Right_XL.png?v=1612787922","\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DL32_P0BMD_Rear_XL.png?v=1612787922"],"featured_image":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DL32_P0BMD_Front_XL.png?v=1612787921","options":["Title"],"media":[{"alt":null,"id":9169711398974,"position":1,"preview_image":{"aspect_ratio":3.106,"height":644,"width":2000,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DL32_P0BMD_Front_XL.png?v=1612787921"},"aspect_ratio":3.106,"height":644,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DL32_P0BMD_Front_XL.png?v=1612787921","width":2000},{"alt":null,"id":9169711431742,"position":2,"preview_image":{"aspect_ratio":2.436,"height":821,"width":2000,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DL32_P0BMD_Left_XL.png?v=1612787922"},"aspect_ratio":2.436,"height":821,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DL32_P0BMD_Left_XL.png?v=1612787922","width":2000},{"alt":null,"id":9169711464510,"position":3,"preview_image":{"aspect_ratio":2.436,"height":821,"width":2000,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DL32_P0BMD_Right_XL.png?v=1612787922"},"aspect_ratio":2.436,"height":821,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DL32_P0BMD_Right_XL.png?v=1612787922","width":2000},{"alt":null,"id":9169711497278,"position":4,"preview_image":{"aspect_ratio":3.044,"height":657,"width":2000,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DL32_P0BMD_Rear_XL.png?v=1612787922"},"aspect_ratio":3.044,"height":657,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DL32_P0BMD_Rear_XL.png?v=1612787922","width":2000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson**\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"features mt-4 mt-sm-6\"\u003e\n\u003ch3\u003e32 Input, 16 Output Stage Box with 32 Midas Microphone Preamplifiers, ULTRANET and ADAT Interfaces\u003c\/h3\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch2 class=\"font-weight-normal\"\u003eProduct Features\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"pfi\" class=\"collapse show\"\u003e\n\u003cdiv class=\"row mt-3\"\u003e\n\u003cdiv class=\"col-sm-20\"\u003e\n\u003cul class=\"list list--bullet-midas list--circle list--brown list--col-lg-2 pl-1 pl-sm-0\"\u003e\n\u003cli\u003e\n\u003cp\u003e32 award-winning Midas PRO microphone preamplifiers with switchable 48 V phantom power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e16 electronically balanced low impedance line level outputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eULTRANET personal monitoring system connectivity for in-ear applications\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDigital audio and control connectivity for Turbosound speaker systems with ULTRANET networking capability\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDual AES50 SuperMAC ports for cascading additional DL16 stageboxes no merger or router required\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAutomatic AES50 stage-split mode when connected between Midas M32 Series FOH and monitor consoles\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDual ADAT outputs providing 16-channel digital output on two optical TOSLINK* connectors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e2 AES-3 ports (AES\/EBU), for directly connecting PA system controllers with digital inputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRemote operation via shielded CAT5e cable up to 330 ft \/ 100 m length\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMute All function for quietly patching any inputs on stage\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMIDI In\/Out for bidirectional communication between Midas M32 Series console and on-stage MIDI devices\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFeatures Neutrik etherCON* AES50 and ULTRANET network ports\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRugged 3U rackmount chassis for durability in portable applications\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAuto-ranging universal switch-mode power supply\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e10-Year Warranty Program*\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDesigned and engineered in the U.K.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003ch3 class=\"col-sm\"\u003e\u003cimg alt=\"DL32\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hc8\/h52\/8847173451806.jpg\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDL32\u003c\/h3\u003e\n\u003cp\u003eDigital mixing has revolutionized virtually everything in the live-entertainment production workflow. The DL32 is the perfect solution for connecting the onstage talent with your Front of House (FOH) console, and the rest of the world – the I\/O packed and highly affordable DL32 digital stage box. The DL32 provides 32\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS PRO Series\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eremote-controllable mic preamps, plus 16 balanced analog XLR returns at the stage end – and all it takes is a single Cat 5e cable (up to 100 m \/ 328'). While\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/klarkteknik\/home\" target=\"_blank\"\u003eKLARK TEKNIK\u003c\/a\u003e, the industry-leader in high-end digital audio processing, invented the AES50 SuperMAC technology that made it all possible – our superb scale of production makes the DL32 so very affordable.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003ch3 class=\"col-sm\"\u003e\u003cimg alt=\"MIDAS - The Legend in Sound Quality\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h39\/h45\/8847173419038.jpg\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eMIDAS - The Legend in Sound Quality\u003c\/h3\u003e\n\u003cp\u003eEver since our formation in the 1970s, we have had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations worldwide, legendary consoles, such as the XL4 and Heritage H3000 have quickly become industry standards.\u003cbr\u003e\u003cbr\u003eWe have earned an impeccable reputation due to our no-compromise approach to audio and build quality, and in particular for our Award-winning Mic Preamps, which are considered by industry experts as the industry’s best-sounding designs. Building on this legacy, the XL8 and PRO Series of Live Mixing Systems continue this great heritage of Award-winning audio quality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003ch3 class=\"col-sm\"\u003e\u003cimg alt=\"Massive Connectivity\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h92\/h31\/8847173517342.jpg\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eMassive Connectivity\u003c\/h3\u003e\n\u003cp\u003eWhen used as part of a complete\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/Categories\/Midas\/Mixers\/Digital-Mixers\/M32\/p\/P0B3I\" target=\"_blank\"\u003eM32\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003esystem, two DL32 Stage Boxes can be cascaded via the built-in AES50 ports, providing connectivity for up to 64 mic\/line inputs, 32 balanced outputs and the ULTRANET port allows direct connection to\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/Categories\/Turbosound\/Loudspeaker-Systems\/Portable-Speakers\/iQ15\/p\/P0APM\" target=\"_blank\"\u003eTURBOSOND iQ\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eSeries loudspeakers and the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/behringer\/home\" target=\"_blank\"\u003eBEHRINGER\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ePOWERPLAY P-16 Personal Monitoring System – which can feed up to 48 individual monitor mixers. We also included 2 optical ADAT sockets and AES-3 (AES\/EBU) for connecting to outboard devices, a convenient USB port for system updates via your PC – plus MIDI I\/O for lighting systems and sound module control.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"marketing-copy-collapse\" class=\"marketing-copies collapse show\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003ch3 class=\"col-sm\"\u003e\u003cimg alt=\"Ecosystem and Beyond\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h24\/h60\/8847173648414.jpg\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eEcosystem and Beyond\u003c\/h3\u003e\n\u003cp\u003eThe DL32 was initially designed with our\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/Categories\/Midas\/Mixers\/Digital-Mixers\/M32\/p\/P0B3I\" target=\"_blank\"\u003eM32\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eDigital Mixing Console in mind, but any mixingboard with AES50 networking capability can still tap directly into the DL32’s powerful feature set.For instance, a DL32 and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/Categories\/Midas\/Mixers\/Digital-Mixers\/M32C\/p\/P0BM8\" target=\"_blank\"\u003eM32C\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecould be jointly utilised to create a remote controlled digital mixingsystem in only 4U. Another prime application might include the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/Categories\/Midas\/Mixers\/Digital-Mixers\/M32C\/p\/P0BM8\" target=\"_blank\"\u003eM32C\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eproviding independentmonitor mix duties, while also relaying and sharing all I\/O with the main console – an\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/Categories\/Midas\/Mixers\/Digital-Mixers\/M32\/p\/P0B3I\" target=\"_blank\"\u003eM32\u003c\/a\u003e, or anyother digital mixer that supports MADI, Dante, ADAT or AES50 I\/O. Reasonably priced option cards to replace the standard 32 x 32 channel USB interface are separately available for that exact purpose.You can even mix the complete show from the onstage\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/Categories\/Midas\/Mixers\/Digital-Mixers\/M32C\/p\/P0BM8\" target=\"_blank\"\u003eM32C\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003evia dedicated remote control apps. And since the DL32 and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/Categories\/Midas\/Mixers\/Digital-Mixers\/M32C\/p\/P0BM8\" target=\"_blank\"\u003eM32C\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecommunicate via AES50, they can be separated by up to 100 m (328')of CAT5 cabling, should that be more convenient for the venue.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003ch3 class=\"col-sm\"\u003e\u003cimg alt=\"ULTRANET – Seamless Integration\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hae\/haa\/8847173615646.jpg\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eULTRANET – Seamless Integration\u003c\/h3\u003e\n\u003cp\u003eThe world-renowned engineers at\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/klarkteknik\/home\" target=\"_blank\"\u003eKLARK TEKNIK\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/turbosound\/home\" target=\"_blank\"\u003eTURBOSOUND\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/behringer\/home\" target=\"_blank\"\u003eBEHRINGER\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ehave all come together to create something truly innovative that will change your live and studio workflow forever – welcome to ULTRANET. This revolutionary technology seamlessly transmits up to 16 independent channels of 24-bit digital audio and control data via a single CAT5 cable between compatible digital devices – including mixers, I\/O stage boxes, powered loudspeakers and personal monitoring systems. Advantages realized through ULTRANET digital networking, versus traditional analog methods include: audio signals are impervious to Radio Frequency Interference (RFI); signal crosstalk is eliminated, and ease of use translates directly into a significant amount of time saved during show setup or installation. ULTRANET effectuates a powerful digital eco-system, which we call “Acoustic Integration”, providing unparalleled control over every element of your audio production environment from one convenient location.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003ch3 class=\"col-sm\"\u003e\u003cimg alt=\"KLARK TEKNIK AES50\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h85\/hde\/8847173713950.jpg\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eKLARK TEKNIK AES50\u003c\/h3\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/klarkteknik\/home\" target=\"_blank\"\u003eKLARK TEKNIK\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eSuperMAC (AES50-Compliant) technology gives the DL32 its high-capacity, ultra-low latency digital interconnectivity, as well as superbly simple deployment and ease of use.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/klarkteknik\/home\" target=\"_blank\"\u003eKLARK TEKNIK\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eengineers worked hand-in-hand with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eto ensure the DL32 meets, or exceeds, the requirements of live entertainers and their professional audio engineers. Some of the outstanding features are:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e48 bidirectional audio channels over Cat 5e cable (48 kHz)\u003c\/li\u003e\n\u003cli\u003eSingle cable duplex interconnection for audio and sample clocks\u003c\/li\u003e\n\u003cli\u003eEthernet physical layer audio data transmission\u003c\/li\u003e\n\u003cli\u003eHigh channel count and ultra-low deterministic latency\u003c\/li\u003e\n\u003cli\u003eAccurate phase-aligned clock distribution.\u003c\/li\u003e\n\u003cli\u003eComprehensive error detection and management\u003c\/li\u003e\n\u003cli\u003eProvision for redundant networking\u003c\/li\u003e\n\u003cli\u003eMinimal configuration – total ease of deployment and use\u003c\/li\u003e\n\u003cli\u003eEthernet TCP\/IP protocol-compatible auxiliary data channel\u003c\/li\u003e\n\u003cli\u003eRoyalty-free implementations available as Xilinx FPGA cores\u003c\/li\u003e\n\u003cli\u003eOEM modules available from developer partners\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003ch3 class=\"col-sm\"\u003e\u003cimg alt=\"Extraordinary Value\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h30\/haa\/8847173779486.jpg\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eExtraordinary Value\u003c\/h3\u003e\n\u003cp\u003eAs you can see, the DL32 is an extremely versatile 32 x 16 digital stage box solution with our remote-controllable mic preamplifiers,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/klarkteknik\/home\" target=\"_blank\"\u003eKLARK TEKNIK\u003c\/a\u003e’s AES50 connectivity and a wealth of other professional-grade features – all at a price anyone can afford. Built tough enough to withstand the rigors of the road, the DL32 only takes up two rack spaces and connects to FOH with a single, inexpensive CAT5 cable.\u003cbr\u003e\u003cbr\u003eNow you can have the missing link between the stage and FOH at a fraction of the cost of competing systems – and we back it up with a comprehensive warranty program.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

MIDAS DL 32

R 28,799.00

**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson** 32 Input, 16 Output Stage Box with 32 Midas Microphone Preamplifiers, ULTRANET and ADAT Interfaces Product Features 32 award-winning Midas PRO microphone preamplifiers with switcha...

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MIDAS DM12 ANALOGUE MIXER

ANALOG MIXERS

R 6,199.00 R 10,999.00

{"id":2162875891774,"title":"MIDAS DM12 ANALOGUE MIXER","handle":"midas-dm12-analogue-mixer","description":"\u003ch1 data-mce-fragment=\"1\"\u003eDM12 ANALOGUE MIXER\u003c\/h1\u003e\n\u003cdiv class=\"features mt-4 mt-sm-6\"\u003e\n\u003cp\u003e\u003cstrong\u003e12 Input Analogue Live and Studio Mixer with Midas Microphone Preamplifiers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch4 class=\"font-weight-normal\"\u003eDESCRIPTION\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp\u003eThe compact DM12 honors your stage or studio desktop space, while providing incredible sonic performance, amazing versatility – and an unheard of level of affordability.\u003c\/p\u003e\n\u003cp\u003eWhat is the secret behind DM12’ssuperb, studio-quality sound? TheDM12 features 8 award-wining, MIDAS microphone preamplifiers with true +48 V Phantom Power, acclaimed by audio engineers the world over for their transparency and nuanced low noise, high-headroom design. Add to this TRS Line Inputs on all 12channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ with mid-frequency sweep, 2 switchable pre\/post-fader aux sends, 2 monitor outs and 2-track RCA I\/O, and you have an analogue work of art – the fully featured DM12!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eLive Performance and Studio Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith 12 channels, the DM12 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eDedicated Stereo Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLine channels 9\/10 - 11\/12 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"marketing-copy-collapse\" class=\"marketing-copies collapse show\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eSublimely Musical British EQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe British consoles of the 1960s and ‘70s changed the sound of rock and roll – without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The 3-band channel EQ on our DM12 mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. The sweepable mid-frequency band provides a broad tonal palette with which to finetune the ideal signal. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eDual Aux Sends\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe DM12 is also equipped with 2 aux sends with pre\/post fader switching for added versatility. Users can select to use them for external effects processing, custom monitor mixes, or a combination of the two. Additional monitoring outputs are provided of the main mix for stage or studio monitor applications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eClassic Precision\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of DM12 mixer’s 60 mm faders have been carefully designed to provide a long life of highly precise level setting, ensuring repeatable and flawless performance for many years to come.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eQuality is Job #1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile some manufacturers cut quality when they design small mixers, we understand that every mixer should provide uncompromising performance and a robust feature set. The very embodiment of quality, from its rugged construction and top-of-the-range components to that unmistakable MIDAS sound – the DM12 is a truly professional audio console.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eValue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo matter what your audio mixing needs, the DM12 provides the performance and features required to take your talent to the next level, at a price that is custom-tailored for the budget-savvy user. Professional sound quality, our legendary MIDAS mic preamps, 3-band EQs with sweepable mids, and much more make the DM12 mixer ideal for both your live gigs and recording. Try one out today, or feel free to order yours online.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eArchitecture \u0026amp; Engineering Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe audio mixing console shall be an analogue design suitable for use in live performance and studio recording, and equipped with 8 MIDAS microphone preamplifiers.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall have 8 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ \" TRS line level input, and a ¼ \" TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix.\u003c\/p\u003e\n\u003cp\u003eA PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ \" TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall off er adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix. The mixing console shall be provided with 2 balanced ¼ \" TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader\/post-fader switch.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced ¼ \" TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 1 stereo ¼ \" TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced XLR outputs to send out the final left\/right mix to external amplifiers and equipment. Adjustment of the final mix output shall be provided by 2x 60 mm master faders. 2 ¼ \" TRS main out insert jacks shall be provided.\u003c\/p\u003e\n\u003cp\u003eGlobal 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated.\u003c\/p\u003e\n\u003cp\u003e2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50\/60 Hz. The mains connection shall be a standard IEC receptacle.\u003c\/p\u003e\n\u003cp\u003eThe mixing console dimensions shall be 95 mm high x 328 mm wide x 370 mm deep (3.7 x 12.9 x 14.6\"). The nominal weight shall be 3.9 kg (1.8 lbs).\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be the MIDAS DM12. No other mixing console shall be acceptable unless submitted data from an independent test laboratory verifies that the above combined performance \/ size specifications are equaled or exceeded.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eArchitecture \u0026amp; Engineering Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe audio mixing console shall be an analogue design suitable for use in live performance and studio recording, and equipped with 12 MIDAS microphone preamplifiers. The mixing console shall have 8 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ \" TRS line level input, and a ¼ \" TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix. The mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ \" TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall offer adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix. The mixing console shall be provided with 2 balanced ¼ \" TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader\/post-fader switch. The mixing console shall be provided with 2 balanced ¼ \" TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input. The mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded. The mixing console shall be provided with 1 stereo ¼ \" TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control. The mixing console shall be provided with 2 balanced XLR outputs to send out the final left\/right mix to external amplifiers and equipment. Adjustment of the final mix output shall be provided by 2x 60 mm master faders. 2 ¼ \" TRS main out insert jacks shall be provided. Global 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated. 2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels. The mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50\/60 Hz. The mains connection shall be a standard IEC receptacle. The mixing console dimensions shall be 95 mm high x 328 mm wide x 370 mm deep (3.7 x 12.9 x 14.6\"). The nominal weight shall be 3.9 kg (1.8 lbs). The mixing console shall be the DDA DM12. No other mixing console shall be acceptable unless submitted data from an independent test laboratory verifies that the above combined performance \/ size specific cations are equaled or exceeded.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003csection class=\"mt-1\"\u003e\n\u003cdiv class=\"show-more text-center text-sm-right p-0 collapsible--arrow collapsible--product-feature\"\u003e\n\u003ch4 class=\"mb-0 pt-1 pt-sm-0\"\u003eSPECIFICATIONS\u003cbr\u003e\n\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-4 mb-sm-0\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cp class=\"d-flex align-items-center col-auto collapsible--arrow collapsible--product-feature\"\u003e\u003cstrong\u003eMono Inputs\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"specs\" class=\"collapse show\"\u003e\n\u003cdiv class=\"mt-sm-1 pt-2 pt-sm-1\"\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic inputs (MIDAS mic preamp)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eXLR, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic EIN @ 60 dB gain, 50 O source at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-131 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic EIN @ 60 dB gain, 150 O source at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-128 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eNoise @ 10dB Gain, at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-97 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency response (-1 dB) at main output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 Hz to 20 kHz (-1 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency response (-3 dB) at main output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e70 kHz (-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic Gain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+10 dB to +60 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+11 dBu @ +10 dB gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eCMRR @ +60dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTypically -90 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 kO, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDistortion (THD+N) at 0 dBu\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0.005% @ 1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePhantom power\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSwitchable, +48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eLine Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO balanced \/ unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLine Gain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-10 dB to +40 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+30 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eStereo Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e4 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO balanced \/ unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eGain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-20 dB to +20 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eEqualiser\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLow\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 80 Hz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMid (mono inputs only)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eHigh\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 12 kHz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eChannel Inserts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input \/ output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eAux Sends\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e240 O balanced, 120 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eMonitor Out\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e240 O balanced, 120 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eMain Out\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x XLR, electronically balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e100 O balanced, 50 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eMain Out Inserts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input \/ output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003ePhones Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e25 O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003e2-Track Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x RCA, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eRecord Out\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x RCA, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e1 kO\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eMain Mix System Noise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ -?, channel fader @ -8\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-104 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ 0 dB, channel fader @ -8\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-91 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ 0 dB, channel fader @ 0 dB\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-84 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003ePower Supply \/ Voltage (Fuses)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSwitch mode power supply\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e100-240 V~ 50\/60 Hz, switchable (T 1.6 A H 250 V)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePower consumption\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e40 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMains connection\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eStandard IEC receptacle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eDimensions \/ Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e95 x 328 x 370 mm (3.7 x 12.9 x 14.6\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e3.9 kg (1.8 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson**\u003c\/span\u003e\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-05-20T15:37:06+02:00","created_at":"2019-05-20T15:39:57+02:00","vendor":"MIDAS","type":"ANALOG MIXERS","tags":["Price_R1000 to R5000","Product Type_ANALOG MIXERS","PROMOTION","VENDOR_MIDAS"],"price":619900,"price_min":619900,"price_max":619900,"available":true,"price_varies":false,"compare_at_price":1099900,"compare_at_price_min":1099900,"compare_at_price_max":1099900,"compare_at_price_varies":false,"variants":[{"id":19786239344702,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"DM12","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MIDAS DM12 ANALOGUE MIXER","public_title":null,"options":["Default Title"],"price":619900,"weight":10000,"compare_at_price":1099900,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM12_P0BGA_Top_XL.png?v=1612773273","\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM12_P0BGA_Left_XL.png?v=1612773273","\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM12_P0BGA_Right_XL.png?v=1612773273","\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM12_P0BGA_Rear_XL.png?v=1612773268"],"featured_image":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM12_P0BGA_Top_XL.png?v=1612773273","options":["Title"],"media":[{"alt":null,"id":9168731111486,"position":1,"preview_image":{"aspect_ratio":0.819,"height":2000,"width":1637,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM12_P0BGA_Top_XL.png?v=1612773273"},"aspect_ratio":0.819,"height":2000,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM12_P0BGA_Top_XL.png?v=1612773273","width":1637},{"alt":null,"id":9168731045950,"position":2,"preview_image":{"aspect_ratio":1.08,"height":1851,"width":2000,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM12_P0BGA_Left_XL.png?v=1612773273"},"aspect_ratio":1.08,"height":1851,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM12_P0BGA_Left_XL.png?v=1612773273","width":2000},{"alt":null,"id":9168731078718,"position":3,"preview_image":{"aspect_ratio":1.08,"height":1851,"width":2000,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM12_P0BGA_Right_XL.png?v=1612773273"},"aspect_ratio":1.08,"height":1851,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM12_P0BGA_Right_XL.png?v=1612773273","width":2000},{"alt":null,"id":9168731144254,"position":4,"preview_image":{"aspect_ratio":2.528,"height":791,"width":2000,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM12_P0BGA_Rear_XL.png?v=1612773268"},"aspect_ratio":2.528,"height":791,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM12_P0BGA_Rear_XL.png?v=1612773268","width":2000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch1 data-mce-fragment=\"1\"\u003eDM12 ANALOGUE MIXER\u003c\/h1\u003e\n\u003cdiv class=\"features mt-4 mt-sm-6\"\u003e\n\u003cp\u003e\u003cstrong\u003e12 Input Analogue Live and Studio Mixer with Midas Microphone Preamplifiers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch4 class=\"font-weight-normal\"\u003eDESCRIPTION\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp\u003eThe compact DM12 honors your stage or studio desktop space, while providing incredible sonic performance, amazing versatility – and an unheard of level of affordability.\u003c\/p\u003e\n\u003cp\u003eWhat is the secret behind DM12’ssuperb, studio-quality sound? TheDM12 features 8 award-wining, MIDAS microphone preamplifiers with true +48 V Phantom Power, acclaimed by audio engineers the world over for their transparency and nuanced low noise, high-headroom design. Add to this TRS Line Inputs on all 12channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ with mid-frequency sweep, 2 switchable pre\/post-fader aux sends, 2 monitor outs and 2-track RCA I\/O, and you have an analogue work of art – the fully featured DM12!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eLive Performance and Studio Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith 12 channels, the DM12 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eDedicated Stereo Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLine channels 9\/10 - 11\/12 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"marketing-copy-collapse\" class=\"marketing-copies collapse show\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eSublimely Musical British EQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe British consoles of the 1960s and ‘70s changed the sound of rock and roll – without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The 3-band channel EQ on our DM12 mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. The sweepable mid-frequency band provides a broad tonal palette with which to finetune the ideal signal. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eDual Aux Sends\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe DM12 is also equipped with 2 aux sends with pre\/post fader switching for added versatility. Users can select to use them for external effects processing, custom monitor mixes, or a combination of the two. Additional monitoring outputs are provided of the main mix for stage or studio monitor applications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eClassic Precision\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of DM12 mixer’s 60 mm faders have been carefully designed to provide a long life of highly precise level setting, ensuring repeatable and flawless performance for many years to come.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eQuality is Job #1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile some manufacturers cut quality when they design small mixers, we understand that every mixer should provide uncompromising performance and a robust feature set. The very embodiment of quality, from its rugged construction and top-of-the-range components to that unmistakable MIDAS sound – the DM12 is a truly professional audio console.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eValue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo matter what your audio mixing needs, the DM12 provides the performance and features required to take your talent to the next level, at a price that is custom-tailored for the budget-savvy user. Professional sound quality, our legendary MIDAS mic preamps, 3-band EQs with sweepable mids, and much more make the DM12 mixer ideal for both your live gigs and recording. Try one out today, or feel free to order yours online.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eArchitecture \u0026amp; Engineering Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe audio mixing console shall be an analogue design suitable for use in live performance and studio recording, and equipped with 8 MIDAS microphone preamplifiers.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall have 8 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ \" TRS line level input, and a ¼ \" TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix.\u003c\/p\u003e\n\u003cp\u003eA PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ \" TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall off er adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix. The mixing console shall be provided with 2 balanced ¼ \" TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader\/post-fader switch.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced ¼ \" TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 1 stereo ¼ \" TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced XLR outputs to send out the final left\/right mix to external amplifiers and equipment. Adjustment of the final mix output shall be provided by 2x 60 mm master faders. 2 ¼ \" TRS main out insert jacks shall be provided.\u003c\/p\u003e\n\u003cp\u003eGlobal 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated.\u003c\/p\u003e\n\u003cp\u003e2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50\/60 Hz. The mains connection shall be a standard IEC receptacle.\u003c\/p\u003e\n\u003cp\u003eThe mixing console dimensions shall be 95 mm high x 328 mm wide x 370 mm deep (3.7 x 12.9 x 14.6\"). The nominal weight shall be 3.9 kg (1.8 lbs).\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be the MIDAS DM12. No other mixing console shall be acceptable unless submitted data from an independent test laboratory verifies that the above combined performance \/ size specifications are equaled or exceeded.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eArchitecture \u0026amp; Engineering Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe audio mixing console shall be an analogue design suitable for use in live performance and studio recording, and equipped with 12 MIDAS microphone preamplifiers. The mixing console shall have 8 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ \" TRS line level input, and a ¼ \" TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix. The mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ \" TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall offer adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix. The mixing console shall be provided with 2 balanced ¼ \" TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader\/post-fader switch. The mixing console shall be provided with 2 balanced ¼ \" TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input. The mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded. The mixing console shall be provided with 1 stereo ¼ \" TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control. The mixing console shall be provided with 2 balanced XLR outputs to send out the final left\/right mix to external amplifiers and equipment. Adjustment of the final mix output shall be provided by 2x 60 mm master faders. 2 ¼ \" TRS main out insert jacks shall be provided. Global 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated. 2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels. The mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50\/60 Hz. The mains connection shall be a standard IEC receptacle. The mixing console dimensions shall be 95 mm high x 328 mm wide x 370 mm deep (3.7 x 12.9 x 14.6\"). The nominal weight shall be 3.9 kg (1.8 lbs). The mixing console shall be the DDA DM12. No other mixing console shall be acceptable unless submitted data from an independent test laboratory verifies that the above combined performance \/ size specific cations are equaled or exceeded.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003csection class=\"mt-1\"\u003e\n\u003cdiv class=\"show-more text-center text-sm-right p-0 collapsible--arrow collapsible--product-feature\"\u003e\n\u003ch4 class=\"mb-0 pt-1 pt-sm-0\"\u003eSPECIFICATIONS\u003cbr\u003e\n\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-4 mb-sm-0\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cp class=\"d-flex align-items-center col-auto collapsible--arrow collapsible--product-feature\"\u003e\u003cstrong\u003eMono Inputs\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"specs\" class=\"collapse show\"\u003e\n\u003cdiv class=\"mt-sm-1 pt-2 pt-sm-1\"\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic inputs (MIDAS mic preamp)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eXLR, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic EIN @ 60 dB gain, 50 O source at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-131 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic EIN @ 60 dB gain, 150 O source at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-128 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eNoise @ 10dB Gain, at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-97 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency response (-1 dB) at main output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 Hz to 20 kHz (-1 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency response (-3 dB) at main output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e70 kHz (-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic Gain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+10 dB to +60 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+11 dBu @ +10 dB gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eCMRR @ +60dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTypically -90 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 kO, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDistortion (THD+N) at 0 dBu\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0.005% @ 1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePhantom power\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSwitchable, +48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eLine Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO balanced \/ unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLine Gain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-10 dB to +40 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+30 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eStereo Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e4 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO balanced \/ unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eGain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-20 dB to +20 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eEqualiser\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLow\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 80 Hz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMid (mono inputs only)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eHigh\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 12 kHz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eChannel Inserts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input \/ output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eAux Sends\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e240 O balanced, 120 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eMonitor Out\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e240 O balanced, 120 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eMain Out\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x XLR, electronically balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e100 O balanced, 50 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e \u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eMain Out Inserts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input \/ output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003ePhones Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e25 O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003e2-Track Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x RCA, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eRecord Out\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x RCA, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e1 kO\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eMain Mix System Noise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ -?, channel fader @ -8\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-104 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ 0 dB, channel fader @ -8\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-91 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ 0 dB, channel fader @ 0 dB\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-84 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003ePower Supply \/ Voltage (Fuses)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSwitch mode power supply\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e100-240 V~ 50\/60 Hz, switchable (T 1.6 A H 250 V)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePower consumption\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e40 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMains connection\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eStandard IEC receptacle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e\u003cstrong\u003eDimensions \/ Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e95 x 328 x 370 mm (3.7 x 12.9 x 14.6\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e3.9 kg (1.8 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson**\u003c\/span\u003e\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

MIDAS DM12 ANALOGUE MIXER

R 6,199.00

DM12 ANALOGUE MIXER 12 Input Analogue Live and Studio Mixer with Midas Microphone Preamplifiers DESCRIPTION The compact DM12 honors your stage or studio desktop space, while providing incredible sonic performance, amazing versatility – and an unheard of level of affordability. What is the secret behind DM12’ssuperb, studio-quality so...

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MIDAS DM16 ANALOGUE MIXER

ANALOG MIXERS

R 8,099.00 R 13,999.00

{"id":2162877464638,"title":"MIDAS DM16 ANALOGUE MIXER","handle":"midas-dm16-analogue-mixer","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson**\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"features mt-4 mt-sm-6\"\u003e\n\u003ch1\u003eAnalogue Studio Mixer with Midas Microphone Preamplifiers\u003c\/h1\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch4 class=\"font-weight-normal\"\u003eFEATURES\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDM16\u003c\/h5\u003e\n\u003cp\u003eThe compact DM16 honours your stage or studio desktop space, while providing incredible sonic performance, amazing versatility – and an unheard of level of affordability.\u003c\/p\u003e\n\u003cp\u003eWhat is the secret behind DM16’s superb, studio-quality sound? The DM16 features 12 award-winning, MIDAS microphone preamplifiers with true +48 V Phantom Power, acclaimed by audio engineers the world over for their transparency and nuanced low noise, high-headroom design. Add to this TRS Line Inputs on all 16 channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ with mid-frequency sweep, 2 switchable pre\/post-fader aux sends, 2 monitor outs and 2-track RCA I\/O, and you have an analogue work of art – the fully featured DM16!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eLive Performance and Studio Recording\u003c\/h5\u003e\n\u003cp\u003eWith 16 channels, the DM16 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDedicated Stereo Inputs\u003c\/h5\u003e\n\u003cp\u003eLine channels 13\/14 - 15\/16 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv class=\"marketing-copies collapse show\" id=\"marketing-copy-collapse\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eSublimely Musical British EQ\u003c\/h5\u003e\n\u003cp\u003eThe British consoles of the 1960s and ‘70s changed the sound of rock and roll – without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The 3-band channel EQ on our DM16 mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. The sweepable mid-frequency band provides a broad tonal palette with which to finetune the ideal signal. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDual Aux Sends\u003c\/h5\u003e\n\u003cp\u003eThe DM16 is also equipped with 2 aux sends with pre\/post fader switching for added versatility. Users can select to use them for external effects processing, custom monitor mixes, or a combination of the two. Additional monitoring outputs are provided of the main mix for stage or studio monitor applications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eClassic Precision\u003c\/h5\u003e\n\u003cp\u003eAll of DM16 mixer’s 60 mm faders have been carefully designed to provide a long life of highly precise level setting, ensuring repeatable and flawless performance for many years to come.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eQuality is Job #1\u003c\/h5\u003e\n\u003cp\u003eWhile some manufacturers cut quality when they design small mixers, we understand that every mixer should provide uncompromising performance and a robust feature set. The very embodiment of quality, from its rugged construction and top-of-the-range components to that unmistakable\u003cspan\u003e MIDAS\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003esound – the DM16 is a truly professional audio console.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eValue\u003c\/h5\u003e\n\u003cp\u003eNo matter what your audio mixing needs, the DM16 provides the performance and features required to take your talent to the next level, at a price that is custom-tailored for the budget-savvy user. Professional sound quality, our legendary\u003cspan\u003e MIDAS \u003c\/span\u003emic preamps, 3-band EQs with sweepable mids, and much more make the DM16 mixer ideal for both your live gigs and recording. Try one out today, or feel free to order yours online.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eArchitecture \u0026amp; Engineering Specifications\u003c\/h5\u003e\n\u003cp\u003eThe audio mixing console shall be an analogue design suitable for use in live performance and studio recording, and equipped with 12 MIDAS microphone preamplifiers.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall have 12 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ \" TRS line level input, and a ¼ \" TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix.\u003c\/p\u003e\n\u003cp\u003eA PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ \" TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall offer adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced ¼ \" TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader\/post-fader switch.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced ¼ \" TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input. The mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 1 stereo ¼ \" TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced XLR outputs to send out the final left\/right mix to external amplifiers and equipment. Adjustment of the final mix output shall be provided by 2x 60 mm master faders. 2 ¼ \" TRS main out insert jacks shall be provided.\u003c\/p\u003e\n\u003cp\u003eGlobal 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated.\u003c\/p\u003e\n\u003cp\u003e2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50\/60 Hz. The mains connection shall be a standard IEC receptacle.\u003c\/p\u003e\n\u003cp\u003eThe mixing console dimensions shall be 95 mm high x 438 mm wide x 370 mm deep (3.7 x 17.2 x 14.6\"). The nominal weight shall be 5 kg (2.3 lbs).\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be the MIDAS DM16. No other mixing console shall be acceptable unless submitted data from an independent test laboratory verifies that the above combined performance \/ size specifications are equalled or exceeded.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003csection class=\"mt-1\"\u003e\n\u003cdiv class=\"show-more text-center text-sm-right p-0 collapsible--arrow collapsible--product-feature\"\u003e\n\u003ch4 class=\"mb-0 pt-1 pt-sm-0\"\u003eSPECIFICATIONS\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-4 mb-sm-0\"\u003e\n\u003cdiv class=\"collapse show\" id=\"specs\"\u003e\n\u003cdiv class=\"mt-sm-1 pt-2 pt-sm-1\"\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMono Inputs\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic inputs (MIDAS mic preamp)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eXLR, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic EIN @ 60 dB gain, 50 ? source at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-131 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic EIN @ 60 dB gain, 150 ? source at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-128 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eNoise @ 10dB Gain, at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-97 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency response (-1 dB) at main output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 Hz to 20 kHz (-1 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency response (-3 dB) at main output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e70 kHz (-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic Gain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+10 dB to +60 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+11 dBu @ +10 dB gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eCMRR @ +60dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTypically -90 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 kO, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDistortion (THD+N) at 0 dBu\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0.005% @ 1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePhantom power\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSwitchable, +48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eLine Input\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO balanced \/ unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLine Gain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-10 dB to +40 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+30 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eStereo Inputs\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e4 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO balanced \/ unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eGain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-20 dB to +20 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eEqualiser\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLow\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 80 Hz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMid (mono inputs only)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eHigh\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 12 kHz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eChannel Inserts\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input \/ output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eAux Sends\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e240 O balanced, 120 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMonitor Out\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e240 O balanced, 120 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMain Out\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x XLR, electronically balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e100 O balanced, 50 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMain Out Inserts\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input \/ output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePhones Output\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e25 O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e2-Track Input\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x RCA, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eRecord Out\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x RCA, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e1 kO\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMain Mix System Noise\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ -?, channel fader @ -?\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-104 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ 0 dB, channel fader @ -?\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-91 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ 0 dB, channel fader @ 0 dB\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-84 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePower Supply \/ Voltage (Fuses)\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSwitch mode power supply\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e100-240 V~ 50\/60 Hz, switchable (T 1.6 A H 250 V)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePower consumption\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e40 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMains connection\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eStandard IEC receptacle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDimensions \/ Weight\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e95 x 438 x 370 mm (3.7 x 17.2 x 14.6\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e5 kg (2.3 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-05-20T15:40:08+02:00","created_at":"2019-05-20T15:42:39+02:00","vendor":"MIDAS","type":"ANALOG MIXERS","tags":["Price_R5000 to R15000","Product Type_ANALOG MIXERS","PROMOTION","VENDOR_MIDAS"],"price":809900,"price_min":809900,"price_max":809900,"available":true,"price_varies":false,"compare_at_price":1399900,"compare_at_price_min":1399900,"compare_at_price_max":1399900,"compare_at_price_varies":false,"variants":[{"id":19786251862078,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"DM16","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MIDAS DM16 ANALOGUE MIXER","public_title":null,"options":["Default Title"],"price":809900,"weight":6000,"compare_at_price":1399900,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM16_P0BG9_Top_XL.png?v=1612777078","\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM16_P0BG9_Left_XL.png?v=1612777078","\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM16_P0BG9_Right_XL.png?v=1612777078","\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM16_P0BG9_Rear_XL.png?v=1612777078"],"featured_image":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM16_P0BG9_Top_XL.png?v=1612777078","options":["Title"],"media":[{"alt":null,"id":9168757260350,"position":1,"preview_image":{"aspect_ratio":1.108,"height":1805,"width":2000,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM16_P0BG9_Top_XL.png?v=1612777078"},"aspect_ratio":1.108,"height":1805,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM16_P0BG9_Top_XL.png?v=1612777078","width":2000},{"alt":null,"id":9168757194814,"position":2,"preview_image":{"aspect_ratio":1.318,"height":1518,"width":2000,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM16_P0BG9_Left_XL.png?v=1612777078"},"aspect_ratio":1.318,"height":1518,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM16_P0BG9_Left_XL.png?v=1612777078","width":2000},{"alt":null,"id":9168757227582,"position":3,"preview_image":{"aspect_ratio":1.348,"height":1484,"width":2000,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM16_P0BG9_Right_XL.png?v=1612777078"},"aspect_ratio":1.348,"height":1484,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM16_P0BG9_Right_XL.png?v=1612777078","width":2000},{"alt":null,"id":9168757162046,"position":4,"preview_image":{"aspect_ratio":3.442,"height":581,"width":2000,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM16_P0BG9_Rear_XL.png?v=1612777078"},"aspect_ratio":3.442,"height":581,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/DM16_P0BG9_Rear_XL.png?v=1612777078","width":2000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson**\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"features mt-4 mt-sm-6\"\u003e\n\u003ch1\u003eAnalogue Studio Mixer with Midas Microphone Preamplifiers\u003c\/h1\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch4 class=\"font-weight-normal\"\u003eFEATURES\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDM16\u003c\/h5\u003e\n\u003cp\u003eThe compact DM16 honours your stage or studio desktop space, while providing incredible sonic performance, amazing versatility – and an unheard of level of affordability.\u003c\/p\u003e\n\u003cp\u003eWhat is the secret behind DM16’s superb, studio-quality sound? The DM16 features 12 award-winning, MIDAS microphone preamplifiers with true +48 V Phantom Power, acclaimed by audio engineers the world over for their transparency and nuanced low noise, high-headroom design. Add to this TRS Line Inputs on all 16 channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ with mid-frequency sweep, 2 switchable pre\/post-fader aux sends, 2 monitor outs and 2-track RCA I\/O, and you have an analogue work of art – the fully featured DM16!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eLive Performance and Studio Recording\u003c\/h5\u003e\n\u003cp\u003eWith 16 channels, the DM16 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDedicated Stereo Inputs\u003c\/h5\u003e\n\u003cp\u003eLine channels 13\/14 - 15\/16 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv class=\"marketing-copies collapse show\" id=\"marketing-copy-collapse\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eSublimely Musical British EQ\u003c\/h5\u003e\n\u003cp\u003eThe British consoles of the 1960s and ‘70s changed the sound of rock and roll – without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The 3-band channel EQ on our DM16 mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. The sweepable mid-frequency band provides a broad tonal palette with which to finetune the ideal signal. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDual Aux Sends\u003c\/h5\u003e\n\u003cp\u003eThe DM16 is also equipped with 2 aux sends with pre\/post fader switching for added versatility. Users can select to use them for external effects processing, custom monitor mixes, or a combination of the two. Additional monitoring outputs are provided of the main mix for stage or studio monitor applications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eClassic Precision\u003c\/h5\u003e\n\u003cp\u003eAll of DM16 mixer’s 60 mm faders have been carefully designed to provide a long life of highly precise level setting, ensuring repeatable and flawless performance for many years to come.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eQuality is Job #1\u003c\/h5\u003e\n\u003cp\u003eWhile some manufacturers cut quality when they design small mixers, we understand that every mixer should provide uncompromising performance and a robust feature set. The very embodiment of quality, from its rugged construction and top-of-the-range components to that unmistakable\u003cspan\u003e MIDAS\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003esound – the DM16 is a truly professional audio console.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eValue\u003c\/h5\u003e\n\u003cp\u003eNo matter what your audio mixing needs, the DM16 provides the performance and features required to take your talent to the next level, at a price that is custom-tailored for the budget-savvy user. Professional sound quality, our legendary\u003cspan\u003e MIDAS \u003c\/span\u003emic preamps, 3-band EQs with sweepable mids, and much more make the DM16 mixer ideal for both your live gigs and recording. Try one out today, or feel free to order yours online.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eArchitecture \u0026amp; Engineering Specifications\u003c\/h5\u003e\n\u003cp\u003eThe audio mixing console shall be an analogue design suitable for use in live performance and studio recording, and equipped with 12 MIDAS microphone preamplifiers.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall have 12 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ \" TRS line level input, and a ¼ \" TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix.\u003c\/p\u003e\n\u003cp\u003eA PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ \" TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall offer adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced ¼ \" TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader\/post-fader switch.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced ¼ \" TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input. The mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 1 stereo ¼ \" TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced XLR outputs to send out the final left\/right mix to external amplifiers and equipment. Adjustment of the final mix output shall be provided by 2x 60 mm master faders. 2 ¼ \" TRS main out insert jacks shall be provided.\u003c\/p\u003e\n\u003cp\u003eGlobal 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated.\u003c\/p\u003e\n\u003cp\u003e2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50\/60 Hz. The mains connection shall be a standard IEC receptacle.\u003c\/p\u003e\n\u003cp\u003eThe mixing console dimensions shall be 95 mm high x 438 mm wide x 370 mm deep (3.7 x 17.2 x 14.6\"). The nominal weight shall be 5 kg (2.3 lbs).\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be the MIDAS DM16. No other mixing console shall be acceptable unless submitted data from an independent test laboratory verifies that the above combined performance \/ size specifications are equalled or exceeded.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003csection class=\"mt-1\"\u003e\n\u003cdiv class=\"show-more text-center text-sm-right p-0 collapsible--arrow collapsible--product-feature\"\u003e\n\u003ch4 class=\"mb-0 pt-1 pt-sm-0\"\u003eSPECIFICATIONS\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-4 mb-sm-0\"\u003e\n\u003cdiv class=\"collapse show\" id=\"specs\"\u003e\n\u003cdiv class=\"mt-sm-1 pt-2 pt-sm-1\"\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMono Inputs\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic inputs (MIDAS mic preamp)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eXLR, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic EIN @ 60 dB gain, 50 ? source at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-131 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic EIN @ 60 dB gain, 150 ? source at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-128 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eNoise @ 10dB Gain, at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-97 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency response (-1 dB) at main output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 Hz to 20 kHz (-1 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency response (-3 dB) at main output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e70 kHz (-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic Gain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+10 dB to +60 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+11 dBu @ +10 dB gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eCMRR @ +60dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTypically -90 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 kO, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDistortion (THD+N) at 0 dBu\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0.005% @ 1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePhantom power\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSwitchable, +48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eLine Input\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO balanced \/ unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLine Gain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-10 dB to +40 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+30 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eStereo Inputs\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e4 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO balanced \/ unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eGain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-20 dB to +20 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eEqualiser\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLow\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 80 Hz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMid (mono inputs only)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eHigh\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 12 kHz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eChannel Inserts\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input \/ output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eAux Sends\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e240 O balanced, 120 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMonitor Out\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e240 O balanced, 120 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMain Out\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x XLR, electronically balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e100 O balanced, 50 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMain Out Inserts\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input \/ output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePhones Output\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e25 O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e2-Track Input\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x RCA, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eRecord Out\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x RCA, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e1 kO\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMain Mix System Noise\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ -?, channel fader @ -?\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-104 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ 0 dB, channel fader @ -?\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-91 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ 0 dB, channel fader @ 0 dB\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-84 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePower Supply \/ Voltage (Fuses)\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSwitch mode power supply\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e100-240 V~ 50\/60 Hz, switchable (T 1.6 A H 250 V)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePower consumption\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e40 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMains connection\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eStandard IEC receptacle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDimensions \/ Weight\u003c\/h5\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e95 x 438 x 370 mm (3.7 x 17.2 x 14.6\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e5 kg (2.3 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

MIDAS DM16 ANALOGUE MIXER

R 8,099.00

**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson** Analogue Studio Mixer with Midas Microphone Preamplifiers FEATURES DM16 The compact DM16 honours your stage or studio desktop space, while providing incredible sonic performance,...

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MIDAS MR12 DIGITAL MIXER

DIGITAL MIXERS

R 11,299.00 R 17,999.00

{"id":2162884411454,"title":"MIDAS MR12 DIGITAL MIXER","handle":"midas-mr12-digital-mixer","description":"\u003ch1 data-mce-fragment=\"1\"\u003eDIGITAL MIXER\u003c\/h1\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eDESCRIPTION\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12-Input Digital Mixer for iPad\/Android Tablets with 4 Midas PRO Preamps, 8 Line Inputs, Integrated Wifi Module and USB Stereo Recorder\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"features mt-4 mt-sm-6\"\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch4 class=\"font-weight-normal\"\u003eFEATURES\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/p\/P0B3I\" target=\"_blank\"\u003eMIDAS M32\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ecompletely redefined what is possible from a digital mixer – and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR12 rack-mountable mixer, which will forever change the way you record and the way you play live music.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eA Mixer Whose Time has Come\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOver the past few years, the world of recording and performance audio has experienced a major paradigm shift, one that requires musicians and performers alike to take advantage of emerging technologies that offer flexibility and ease of use. The MR12 is an 12-input portable mixer housed in a sturdy stage box design for use with iPad and Android tablets. It is ideally suited for both live and studio applications thanks to 4 award-winning\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ePRO mic preamps, integrated Wifi module for wireless control, MIDI I\/O – and a USB connector for storing files or the recording and playback of uncompressed stereo WAV files. Free iOS, Android and PC apps enable you to move about the venue or the tracking room and manipulate all the parameters of your mix, and the performers have the freedom to dial-in a shared monitor mix. Advanced engineering and meticulous design combine to deliver professional-grade performance and impressive affordability – the MR12.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003e4 MIDAS PRO Mic Preamps\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MIDAS PRO mic amp was developed for the PRO Series mixing consoles and is also found in the M32 – and has been recognized by leading live sound and recording engineers as the very essence of the famous MIDAS sound. It is here in the MR12 that more than 40 years of design excellence has come together with premium grade components to provide unparalleled warmth and depth, subtle ambience, and immaculate spatial positioning – for more precise imaging than competing models. The award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic landscapes that have captivated audiences worldwide. MR12 comes equipped with 4 MIDAS PRO preamps, all of which are literally ready for your input via the Neutrik combo connectors with locking latches.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"marketing-copy-collapse\" class=\"marketing-copies collapse show\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eBuilt-In Tri-Mode Wifi Router\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned for the ultimate in mobility, the MR12 comes with an integrated Wifi module for direct control of your mixer’s functions – without the need to setup and configure an external router. The MR12 gives you the freedom to focus on your mix, while allowing you to move about the venue to experience what every part of the audience is hearing. Plus you can adjust live monitor wedges from the artist’s perspective – or better yet, let them mix their own IEMs and floor monitors via their own tablets.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAccess Point is the easiest way to connect up to 4 clients directly and concurrently (i.e., iPad, Android smartphone\/tablet or laptop). This mode should have your remote control up and running in less than a minute.\u003c\/li\u003e\n\u003cli\u003eWifi Client allows you to add your mixer to the existing wireless network where the controlling apps and devices are connected.\u003c\/li\u003e\n\u003cli\u003eAlternately, wired connections can be made directly to your PC, to a local area network (LAN), or when connecting to a dedicated Wifi router, e.g., for extended range or 5 GHz applications.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eRecording Simplified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMR12 features a convenient USB connector that makes it easy to store files or record and playback uncompressed stereo WAV files of your mix. Dial in the perfect monitoring mix with effects and zero-latency performance using one of the Aux buses, while recording up to 12 source signals – and send the keyboard player's MIDI notes to your DAW for recording and editing.\u003cbr\u003e\u003cbr\u003eWhether you are making rock history in the studio, or you want to capture intimate live performances – it has never been easier to record stunning tracks with exceptional clarity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eRevolutionary Auto-Mixing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen your application calls for a multiple-microphone setup, such as an onstage panel discussion, press conference or courtroom proceeding, etc., it can become a challenge to maintain so many open mics – and preserve maximum gain and priority for the moderator.\u003cbr\u003e\u003cbr\u003eA major first for compact audio mixers, our revolutionary M AIR Gain Sharing technology can easily manage fully automated mixes with up to 4 live microphones. Based on the legendary Dan Dugan automix system, the MR12’s gain sharing paradigm automatically controls the levels of all selected microphones in real time, without any gating artifacts or noise modulation.\u003cbr\u003e\u003cbr\u003eThis function dramatically reduces the typical feedback, studio noise and comb filtering challenges that can occur when two, or more mics are in close proximity of each another. M AIR Gain Sharing technology provides a consistent system gain structure, even when multiple speakers are talking at the same time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003e4 Onboard M32 Effects Engines\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEquipped with the very same FX engines as the now legendary M32 Digital Mixing Console, the onboard virtual FX Rack provides access to four true-stereo (8 mono), multi-effects processors including delay, chorus, dynamics – plus the MR12 can run production-quality, true-stereo reverbs concurrently with 31-band EQ on the main and aux buses, all without the need for any additional hardware.\u003cbr\u003e\u003cbr\u003eYou can select any combination of high-end simulations of legendary studio effects, such as the Lexicon 480L and PCM70, as well as the EMT250 and Quantec QRS reverbs. Onboard processing means your computer no longer has to do the heavy lifting during a mixing session with DAW plugins, as the MR12 has a whole studio of FX under its bonnet.\u003cbr\u003e\u003cbr\u003eCustom-designed, and physically modeled after some of the most iconic and sought-after processors, all effects run inside the low-latency environment of the M32 mix engine, ensuring flawless performance, flexible routing and the end of cable faults.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eHigh-End FX Racks at Your Finger Tips\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe ultra-smooth optical attenuator is closely modeled in our\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLEISURE COMPRESSOR\u003c\/strong\u003e. It provides breezy, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A*)\u003cbr\u003e\u003cbr\u003eWhen Urei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented, and the 1176 was one of the first audio processors to benefit from this new technology.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eOur digital reincarnation,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eULTIMO COMPRESSOR\u003c\/strong\u003e, is based on the early Rev. E model, and authentically captures the smooth character of the original Class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VRs preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eOur\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFAIR COMPRESSOR\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emodel is true to the original signal path, and conveniently provides models for dual, stereo-linked or M\/S operation. (Inspired by Fairchild 670*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCOMBINATOR\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis an amazing 5-band compressor that emulates famous broadcasting and mastering compressors. A highly complex processor, the COMBINATOR utilizes automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eXTEC EQ1\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eemulates one of the undisputedly best passive studio equalizers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement. We analyzed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cbr\u003ePut simply, Pultec literally wrote the book on passive equalization. By digitally “rebuilding” every aspect of this original classic, we captured the very essence in our mid-range focused parametric equalizer XTEC EQ5. Our digital re-incarnation authentically emulates the smooth character of its rather unique components. (Inspired by Pultec MEQ5*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe new\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSUB OCTAVER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eprovides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the effect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing...\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEDISON EX1\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis the reincarnation of one of our own analog classics. This remarkably effective tool allows manipulation of the stereo field. Selectable Mono or Stereo I\/O modes allow the processing, or creation, of Mono\/Stereo recorded sound sources. (Inspired by BEHRINGER EDISON)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSOUND MAXER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003erestores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalizers. (Inspired by Sonic Maximizer 482i*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDIMENSIONAL CHORUS\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis the perfect emulation of what has been referred to as “the best analog Chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eMODULATION DELAY\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecombines three of the most-used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with your choice of three very unique reverb models, Ambience, Club and Hall.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eENHANCERS\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003elet you emphasize the Bass, Midrange and Hi output at selectable frequencies, allowing you to generate maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eEXCITERS\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eincrease presence and intelligibility in live sound applications, and are indispensable for adding clarity, air and harmonic overtones in the studio. (Inspired by Aphex Aural Exciter*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eUnlike typical graphic EQs, our\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSTEREO TruEQ\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edelivers the exact frequency response for the new fader setting, taking neighboring fader settings into account – for surgical and responsive filtering or general room equalization (Modeled after BEHRINGER UltraCurve DEQ2496). The MR12 can provide up to 16 mono graphic EQs – one in each of the 6 Aux Buses and Main LR, plus 8 additional mono GEQ effects (4 stereo) that may be inserted into channels.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eVINTAGE ROOM\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003estands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in the air and room resonances. Invented in the early ‘80s, the role model delivered authentic room character from an algorithmic reverb long before convolution-based processing was available. It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals – highly valued in classical music and broadcasting environments. (Inspired by Quantec QRS*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003ePLATE REVERB\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eemulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. This classic effect will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e3-TAP DELAY\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein the M32 records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHALL REVERB\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eeffect provides a broad spectrum of reverberation possibilities, from small room to large, or even cavernous proportions. When softly mixed with the original signal, Hall Reverb can be used to create a warm, more natural sound. (Inspired by Lexicon 480L*)\u003cbr\u003e\u003cbr\u003eThe Lexicon 480L* has been recognized as the gold standard of digital reverb. In addition to the Hall Reverb program, we have included four more of the finest reverb models: Ambience, Rich Plate, Room and Rich Chamber. These models precisely capture all nuances based on our “True Physical Modeling”, and our algorithms even incorporate the unit’s AD\/DA gain stepping converters – nailing the entire analog and digital circuit paths right down to the last detail. (Inspired by Lexicon 480L*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThis handy dynamic\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFLANGER \u0026amp; DELAY\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eduo blends the “whoosh” of soaring jet planes with classic Delay, and can be adjusted from mild to wild. This combination effect only takes up one FX slot. (Inspired by Lexicon PCM70*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eWAVE DESIGNER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a powerful tool for adjusting signal transients and dynamics such as attack and sustain. Use it to make a snare drum really “crack” in the mix or level out volume inconsistencies of slap bass tracks. (Inspired by SPL Transient Designer*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSTEREO PRECISION LIMITER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis perfect for setting a precise volume limits, ensuring distortion-free and optimal signal integrity. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of ”hot” signals to prevent clipping. (Inspired by Sony Oxford Dynamics*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDE-ESSER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a “must-have” tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Use it to enhance the smoothness of the upper mid to high frequencies in vocals as well as drum overheads and strings, etc. (Inspired by SPL 1219*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eBased on the legendary EMT250, the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVINTAGE REVERB\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edelivers a shimmering, bright reverb that will not drown out or overpower your live\/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eTaking up only one FX slot, the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCHORUS \u0026amp; CHAMBER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eeffect combines the shimmer and doubling characteristics of a studio-grade Chorus with the sweet sound of a traditional Chamber reverb. (Inspired by Lexicon PCM70*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e100-Band RTA for all Channel\/ Bus Eqs\u003c\/h5\u003e\n\u003cp\u003eThe MR12 includes a high-resolution 100-band Real Time Analyzer (RTA), with full Bar and Spectrograph views. This high-resolution RTA displays the audio energy distribution in 100 frequency bands over time – capturing a sonogram window of a full 10 seconds.\u003cbr\u003e\u003cbr\u003eSwitch between the Large RTA view, displaying any available signal in full screen resolution, or the Combined RTA view shown above each of the channel and bus EQ curves – and see the results of your filtering choices. Additionally, the RTA can be displayed on top of the 31-band graphic EQs in the Main LR or Aux buses. Monitoring and controlling frequencies has never been easier!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eUncompromised Channel Processing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MR12 allows you to achieve the same incredible level of EQ finesse as the award-winning M32 thanks to its 100-band Real Time Analyzer, which is built into every input channel and bus EQ. Visual feedback built into the control app allows you to see and make fast, surgical adjustments to frequencies in need of a boost or a cut. You will wonder how you ever EQ’d without it!\u003cbr\u003e\u003cbr\u003eEvery input channel also features Low-Cut, 4-band fully parametric EQ and the same Gate and Compressor dynamics suite found in the M32 – with one very special addition; you can choose either Expert or Simple functionality. In Expert mode, you can drill down and take total control over every nuance of your dynamics. Or, if you are more of the ‘plug and play’ type, Simple mode lets you either select from one of 4 carefullyoptimized presets – or load your own channel templates. Add to this 40-Bit, floating-point DSP and you will experience virtually \"unlimited\" dynamic range with no internal overload and near-zero overall latency.\u003cbr\u003e\u003cbr\u003eIn addition to the Main L\/R bus for Front of House, 2 Aux buses are provided for dialing in the perfect monitor mixes, or creating a dedicated mix for your USB stereo recording – complete with inserts, dynamics, and either a 6-band parametric EQ or 31-band graphic EQ. And if you want even more precise control over your EQ, 100-band RTAs are available for all of these buses, too.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eMIDI In\/Out for Live Performance Controllers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe physical MIDI I\/O port on the MR12 mixer can also be used for connecting external MIDI controllers, such as X-TOUCH or B-CONTROL products, for dynamically controlling channel level, muting and panorama adjustments during your performance. The installed firmware also supports the Mackie Control protocol, allowing you to easily apply comprehensive remote editing and parameter adjustments via any compatible MIDI device.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eDedicated Apps and Software ? All Platforms Covered\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSince we wanted the MR12 to benefit from the best remote apps, we engaged dedicated development teams for the iOS*, Android*, and PC\/Linux\/ Mac* based remote control applications. When you download an M AIR app for your operating system, you can rest assured that you will get the fully optimized experience we intended. Future firmware updates will be available free of charge and add even more professional-grade features, FX \"Plug-Ins\", and functionality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eM AIR EDIT (PC\/Mac\/Linux)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf your application requires a computer for\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eM AIR mixer remote control, then M AIR EDIT was made just for you. Simply copy and launch the free software with your computer, connect to the mixer via its built-in Ethernet (LAN) connector using a Cat 5e cable (max. 100 m length) – and all M AIR mixer functions are instantly mirrored on your computer screen. Since a PC screen is larger than the one on your telephone, M AIR EDIT allows the opening and scaling of more app windows, such as routing or FX editing – letting you decide how much information you need at a glance. All touch screens are supported, or you can use a mouse to adjust your physical mixer’s settings. You can even control multiple mixers remotely from a single computer, or create several strategically placed computer stations to control the same mixer. With M AIR EDIT, your PC, Linux or Mac computer becomes your virtual mixer – both live and in the studio.\u003cbr\u003e\u003cbr\u003eDownload the free M AIR EDIT software from\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003emidas.com\u003c\/a\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eM AIR MIX for iPad\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFront of House is wherever you and your iPad are – thanks to the new M AIR MIX app for iPad. Simply download the free app to your iPad, set the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eM AIR mixer to Access Point mode and connect your iPad to the MR12 network that will show up. After launching the M AIR MIX app, select the mixer image, and all of your M AIR mixer’s settings can now be adjusted directly from your iPad. You can save your favorite scenes, and load previously stored scenes and presets to\/from your iPad or customize your channel layout – all with the support of innovative drag 'n' drop functionality.\u003cbr\u003e\u003cbr\u003eDownload the free M AIR MIX App for iPad from the Apple App Store.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eM AIR MIX for Android\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned specifically for all Android mobile devices (2.2 or higher), which includes tablets and smartphones, the app can be used in one of two modes: full access mixing mode; or bound to a specific aux bus for creating personal monitor mixes remotely on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eM AIR mixers. Using this free and easy to learn app, each performer can use their Android device to dial-in the perfect personal IEM or wedge monitor mix, without having to consult the audio engineer for assistance. With the M AIR MIX App for Android, personal monitor mixing just got a whole lot more personal – both live and in the studio! But M AIR MIX offers even more; in full access mixing mode, the app provides control over all channel processing including the RTA overlay, effects editing, storing\/loading scenes or presets, and much more – whether you are running a 12\" tablet or a 5\" smartphone.\u003cbr\u003e\u003cbr\u003eDownload the free M AIR CUE for Android App from the androidapps.com.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eSuperb Value\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe feature-packed MR12 is the result of the engineering, manufacturing and application expertise of legendary console manufacturer MIDAS, the iconic signal processing genius of KLARK TEKNIK – and MUSIC’s unique ability to deliver a superior value proposition. MR12's sound quality far surpasses that of competing models, both on paper and in performance. With 12 inputs, 4 MIDAS PRO mic preamps, 2 Aux buses, a built-in Wifi router, a USB connector for simple recording and playback of uncompressed stereo WAV files, MIDI I\/O, and free downloadable apps for iOS, Android and PC, and a host of other high-end professional features, the M AIR MR12 is equipped to handle your most demanding audio application. Visit your local dealer and take a closer look at the M AIR MR12 Digital Mixer, or get yours online – today!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-05-20T15:45:00+02:00","created_at":"2019-05-20T15:48:11+02:00","vendor":"MIDAS","type":"DIGITAL MIXERS","tags":["Price_R5000 to R15000","Product Type_DIGITAL MIXERS","VENDOR_MIDAS"],"price":1129900,"price_min":1129900,"price_max":1129900,"available":true,"price_varies":false,"compare_at_price":1799900,"compare_at_price_min":1799900,"compare_at_price_max":1799900,"compare_at_price_varies":false,"variants":[{"id":19786291773502,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MR12","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MIDAS MR12 DIGITAL MIXER","public_title":null,"options":["Default Title"],"price":1129900,"weight":6000,"compare_at_price":1799900,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/mid-mr12_1-bc3fc85a828518665fa7964bc03010d9.jpg?v=1612780320","\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/MR12-large.jpg?v=1612780320"],"featured_image":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/mid-mr12_1-bc3fc85a828518665fa7964bc03010d9.jpg?v=1612780320","options":["Title"],"media":[{"alt":null,"id":1341182345278,"position":1,"preview_image":{"aspect_ratio":2.087,"height":575,"width":1200,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/mid-mr12_1-bc3fc85a828518665fa7964bc03010d9.jpg?v=1612780320"},"aspect_ratio":2.087,"height":575,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/mid-mr12_1-bc3fc85a828518665fa7964bc03010d9.jpg?v=1612780320","width":1200},{"alt":null,"id":1341182312510,"position":2,"preview_image":{"aspect_ratio":1.913,"height":392,"width":750,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/MR12-large.jpg?v=1612780320"},"aspect_ratio":1.913,"height":392,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/MR12-large.jpg?v=1612780320","width":750}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch1 data-mce-fragment=\"1\"\u003eDIGITAL MIXER\u003c\/h1\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eDESCRIPTION\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12-Input Digital Mixer for iPad\/Android Tablets with 4 Midas PRO Preamps, 8 Line Inputs, Integrated Wifi Module and USB Stereo Recorder\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"features mt-4 mt-sm-6\"\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch4 class=\"font-weight-normal\"\u003eFEATURES\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/p\/P0B3I\" target=\"_blank\"\u003eMIDAS M32\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ecompletely redefined what is possible from a digital mixer – and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR12 rack-mountable mixer, which will forever change the way you record and the way you play live music.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eA Mixer Whose Time has Come\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOver the past few years, the world of recording and performance audio has experienced a major paradigm shift, one that requires musicians and performers alike to take advantage of emerging technologies that offer flexibility and ease of use. The MR12 is an 12-input portable mixer housed in a sturdy stage box design for use with iPad and Android tablets. It is ideally suited for both live and studio applications thanks to 4 award-winning\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ePRO mic preamps, integrated Wifi module for wireless control, MIDI I\/O – and a USB connector for storing files or the recording and playback of uncompressed stereo WAV files. Free iOS, Android and PC apps enable you to move about the venue or the tracking room and manipulate all the parameters of your mix, and the performers have the freedom to dial-in a shared monitor mix. Advanced engineering and meticulous design combine to deliver professional-grade performance and impressive affordability – the MR12.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003e4 MIDAS PRO Mic Preamps\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MIDAS PRO mic amp was developed for the PRO Series mixing consoles and is also found in the M32 – and has been recognized by leading live sound and recording engineers as the very essence of the famous MIDAS sound. It is here in the MR12 that more than 40 years of design excellence has come together with premium grade components to provide unparalleled warmth and depth, subtle ambience, and immaculate spatial positioning – for more precise imaging than competing models. The award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic landscapes that have captivated audiences worldwide. MR12 comes equipped with 4 MIDAS PRO preamps, all of which are literally ready for your input via the Neutrik combo connectors with locking latches.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"marketing-copy-collapse\" class=\"marketing-copies collapse show\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eBuilt-In Tri-Mode Wifi Router\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned for the ultimate in mobility, the MR12 comes with an integrated Wifi module for direct control of your mixer’s functions – without the need to setup and configure an external router. The MR12 gives you the freedom to focus on your mix, while allowing you to move about the venue to experience what every part of the audience is hearing. Plus you can adjust live monitor wedges from the artist’s perspective – or better yet, let them mix their own IEMs and floor monitors via their own tablets.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAccess Point is the easiest way to connect up to 4 clients directly and concurrently (i.e., iPad, Android smartphone\/tablet or laptop). This mode should have your remote control up and running in less than a minute.\u003c\/li\u003e\n\u003cli\u003eWifi Client allows you to add your mixer to the existing wireless network where the controlling apps and devices are connected.\u003c\/li\u003e\n\u003cli\u003eAlternately, wired connections can be made directly to your PC, to a local area network (LAN), or when connecting to a dedicated Wifi router, e.g., for extended range or 5 GHz applications.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eRecording Simplified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMR12 features a convenient USB connector that makes it easy to store files or record and playback uncompressed stereo WAV files of your mix. Dial in the perfect monitoring mix with effects and zero-latency performance using one of the Aux buses, while recording up to 12 source signals – and send the keyboard player's MIDI notes to your DAW for recording and editing.\u003cbr\u003e\u003cbr\u003eWhether you are making rock history in the studio, or you want to capture intimate live performances – it has never been easier to record stunning tracks with exceptional clarity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eRevolutionary Auto-Mixing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen your application calls for a multiple-microphone setup, such as an onstage panel discussion, press conference or courtroom proceeding, etc., it can become a challenge to maintain so many open mics – and preserve maximum gain and priority for the moderator.\u003cbr\u003e\u003cbr\u003eA major first for compact audio mixers, our revolutionary M AIR Gain Sharing technology can easily manage fully automated mixes with up to 4 live microphones. Based on the legendary Dan Dugan automix system, the MR12’s gain sharing paradigm automatically controls the levels of all selected microphones in real time, without any gating artifacts or noise modulation.\u003cbr\u003e\u003cbr\u003eThis function dramatically reduces the typical feedback, studio noise and comb filtering challenges that can occur when two, or more mics are in close proximity of each another. M AIR Gain Sharing technology provides a consistent system gain structure, even when multiple speakers are talking at the same time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003e4 Onboard M32 Effects Engines\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEquipped with the very same FX engines as the now legendary M32 Digital Mixing Console, the onboard virtual FX Rack provides access to four true-stereo (8 mono), multi-effects processors including delay, chorus, dynamics – plus the MR12 can run production-quality, true-stereo reverbs concurrently with 31-band EQ on the main and aux buses, all without the need for any additional hardware.\u003cbr\u003e\u003cbr\u003eYou can select any combination of high-end simulations of legendary studio effects, such as the Lexicon 480L and PCM70, as well as the EMT250 and Quantec QRS reverbs. Onboard processing means your computer no longer has to do the heavy lifting during a mixing session with DAW plugins, as the MR12 has a whole studio of FX under its bonnet.\u003cbr\u003e\u003cbr\u003eCustom-designed, and physically modeled after some of the most iconic and sought-after processors, all effects run inside the low-latency environment of the M32 mix engine, ensuring flawless performance, flexible routing and the end of cable faults.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eHigh-End FX Racks at Your Finger Tips\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe ultra-smooth optical attenuator is closely modeled in our\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLEISURE COMPRESSOR\u003c\/strong\u003e. It provides breezy, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A*)\u003cbr\u003e\u003cbr\u003eWhen Urei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented, and the 1176 was one of the first audio processors to benefit from this new technology.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eOur digital reincarnation,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eULTIMO COMPRESSOR\u003c\/strong\u003e, is based on the early Rev. E model, and authentically captures the smooth character of the original Class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VRs preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eOur\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFAIR COMPRESSOR\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emodel is true to the original signal path, and conveniently provides models for dual, stereo-linked or M\/S operation. (Inspired by Fairchild 670*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCOMBINATOR\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis an amazing 5-band compressor that emulates famous broadcasting and mastering compressors. A highly complex processor, the COMBINATOR utilizes automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eXTEC EQ1\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eemulates one of the undisputedly best passive studio equalizers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement. We analyzed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cbr\u003ePut simply, Pultec literally wrote the book on passive equalization. By digitally “rebuilding” every aspect of this original classic, we captured the very essence in our mid-range focused parametric equalizer XTEC EQ5. Our digital re-incarnation authentically emulates the smooth character of its rather unique components. (Inspired by Pultec MEQ5*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe new\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSUB OCTAVER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eprovides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the effect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing...\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEDISON EX1\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis the reincarnation of one of our own analog classics. This remarkably effective tool allows manipulation of the stereo field. Selectable Mono or Stereo I\/O modes allow the processing, or creation, of Mono\/Stereo recorded sound sources. (Inspired by BEHRINGER EDISON)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSOUND MAXER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003erestores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalizers. (Inspired by Sonic Maximizer 482i*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDIMENSIONAL CHORUS\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis the perfect emulation of what has been referred to as “the best analog Chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eMODULATION DELAY\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecombines three of the most-used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with your choice of three very unique reverb models, Ambience, Club and Hall.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eENHANCERS\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003elet you emphasize the Bass, Midrange and Hi output at selectable frequencies, allowing you to generate maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eEXCITERS\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eincrease presence and intelligibility in live sound applications, and are indispensable for adding clarity, air and harmonic overtones in the studio. (Inspired by Aphex Aural Exciter*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eUnlike typical graphic EQs, our\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSTEREO TruEQ\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edelivers the exact frequency response for the new fader setting, taking neighboring fader settings into account – for surgical and responsive filtering or general room equalization (Modeled after BEHRINGER UltraCurve DEQ2496). The MR12 can provide up to 16 mono graphic EQs – one in each of the 6 Aux Buses and Main LR, plus 8 additional mono GEQ effects (4 stereo) that may be inserted into channels.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eVINTAGE ROOM\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003estands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in the air and room resonances. Invented in the early ‘80s, the role model delivered authentic room character from an algorithmic reverb long before convolution-based processing was available. It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals – highly valued in classical music and broadcasting environments. (Inspired by Quantec QRS*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003ePLATE REVERB\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eemulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. This classic effect will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e3-TAP DELAY\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein the M32 records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHALL REVERB\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eeffect provides a broad spectrum of reverberation possibilities, from small room to large, or even cavernous proportions. When softly mixed with the original signal, Hall Reverb can be used to create a warm, more natural sound. (Inspired by Lexicon 480L*)\u003cbr\u003e\u003cbr\u003eThe Lexicon 480L* has been recognized as the gold standard of digital reverb. In addition to the Hall Reverb program, we have included four more of the finest reverb models: Ambience, Rich Plate, Room and Rich Chamber. These models precisely capture all nuances based on our “True Physical Modeling”, and our algorithms even incorporate the unit’s AD\/DA gain stepping converters – nailing the entire analog and digital circuit paths right down to the last detail. (Inspired by Lexicon 480L*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThis handy dynamic\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFLANGER \u0026amp; DELAY\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eduo blends the “whoosh” of soaring jet planes with classic Delay, and can be adjusted from mild to wild. This combination effect only takes up one FX slot. (Inspired by Lexicon PCM70*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eWAVE DESIGNER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a powerful tool for adjusting signal transients and dynamics such as attack and sustain. Use it to make a snare drum really “crack” in the mix or level out volume inconsistencies of slap bass tracks. (Inspired by SPL Transient Designer*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSTEREO PRECISION LIMITER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis perfect for setting a precise volume limits, ensuring distortion-free and optimal signal integrity. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of ”hot” signals to prevent clipping. (Inspired by Sony Oxford Dynamics*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDE-ESSER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a “must-have” tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Use it to enhance the smoothness of the upper mid to high frequencies in vocals as well as drum overheads and strings, etc. (Inspired by SPL 1219*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eBased on the legendary EMT250, the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVINTAGE REVERB\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edelivers a shimmering, bright reverb that will not drown out or overpower your live\/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eTaking up only one FX slot, the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCHORUS \u0026amp; CHAMBER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eeffect combines the shimmer and doubling characteristics of a studio-grade Chorus with the sweet sound of a traditional Chamber reverb. (Inspired by Lexicon PCM70*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e100-Band RTA for all Channel\/ Bus Eqs\u003c\/h5\u003e\n\u003cp\u003eThe MR12 includes a high-resolution 100-band Real Time Analyzer (RTA), with full Bar and Spectrograph views. This high-resolution RTA displays the audio energy distribution in 100 frequency bands over time – capturing a sonogram window of a full 10 seconds.\u003cbr\u003e\u003cbr\u003eSwitch between the Large RTA view, displaying any available signal in full screen resolution, or the Combined RTA view shown above each of the channel and bus EQ curves – and see the results of your filtering choices. Additionally, the RTA can be displayed on top of the 31-band graphic EQs in the Main LR or Aux buses. Monitoring and controlling frequencies has never been easier!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eUncompromised Channel Processing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MR12 allows you to achieve the same incredible level of EQ finesse as the award-winning M32 thanks to its 100-band Real Time Analyzer, which is built into every input channel and bus EQ. Visual feedback built into the control app allows you to see and make fast, surgical adjustments to frequencies in need of a boost or a cut. You will wonder how you ever EQ’d without it!\u003cbr\u003e\u003cbr\u003eEvery input channel also features Low-Cut, 4-band fully parametric EQ and the same Gate and Compressor dynamics suite found in the M32 – with one very special addition; you can choose either Expert or Simple functionality. In Expert mode, you can drill down and take total control over every nuance of your dynamics. Or, if you are more of the ‘plug and play’ type, Simple mode lets you either select from one of 4 carefullyoptimized presets – or load your own channel templates. Add to this 40-Bit, floating-point DSP and you will experience virtually \"unlimited\" dynamic range with no internal overload and near-zero overall latency.\u003cbr\u003e\u003cbr\u003eIn addition to the Main L\/R bus for Front of House, 2 Aux buses are provided for dialing in the perfect monitor mixes, or creating a dedicated mix for your USB stereo recording – complete with inserts, dynamics, and either a 6-band parametric EQ or 31-band graphic EQ. And if you want even more precise control over your EQ, 100-band RTAs are available for all of these buses, too.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eMIDI In\/Out for Live Performance Controllers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe physical MIDI I\/O port on the MR12 mixer can also be used for connecting external MIDI controllers, such as X-TOUCH or B-CONTROL products, for dynamically controlling channel level, muting and panorama adjustments during your performance. The installed firmware also supports the Mackie Control protocol, allowing you to easily apply comprehensive remote editing and parameter adjustments via any compatible MIDI device.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eDedicated Apps and Software ? All Platforms Covered\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSince we wanted the MR12 to benefit from the best remote apps, we engaged dedicated development teams for the iOS*, Android*, and PC\/Linux\/ Mac* based remote control applications. When you download an M AIR app for your operating system, you can rest assured that you will get the fully optimized experience we intended. Future firmware updates will be available free of charge and add even more professional-grade features, FX \"Plug-Ins\", and functionality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eM AIR EDIT (PC\/Mac\/Linux)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf your application requires a computer for\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eM AIR mixer remote control, then M AIR EDIT was made just for you. Simply copy and launch the free software with your computer, connect to the mixer via its built-in Ethernet (LAN) connector using a Cat 5e cable (max. 100 m length) – and all M AIR mixer functions are instantly mirrored on your computer screen. Since a PC screen is larger than the one on your telephone, M AIR EDIT allows the opening and scaling of more app windows, such as routing or FX editing – letting you decide how much information you need at a glance. All touch screens are supported, or you can use a mouse to adjust your physical mixer’s settings. You can even control multiple mixers remotely from a single computer, or create several strategically placed computer stations to control the same mixer. With M AIR EDIT, your PC, Linux or Mac computer becomes your virtual mixer – both live and in the studio.\u003cbr\u003e\u003cbr\u003eDownload the free M AIR EDIT software from\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003emidas.com\u003c\/a\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eM AIR MIX for iPad\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFront of House is wherever you and your iPad are – thanks to the new M AIR MIX app for iPad. Simply download the free app to your iPad, set the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eM AIR mixer to Access Point mode and connect your iPad to the MR12 network that will show up. After launching the M AIR MIX app, select the mixer image, and all of your M AIR mixer’s settings can now be adjusted directly from your iPad. You can save your favorite scenes, and load previously stored scenes and presets to\/from your iPad or customize your channel layout – all with the support of innovative drag 'n' drop functionality.\u003cbr\u003e\u003cbr\u003eDownload the free M AIR MIX App for iPad from the Apple App Store.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eM AIR MIX for Android\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned specifically for all Android mobile devices (2.2 or higher), which includes tablets and smartphones, the app can be used in one of two modes: full access mixing mode; or bound to a specific aux bus for creating personal monitor mixes remotely on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eM AIR mixers. Using this free and easy to learn app, each performer can use their Android device to dial-in the perfect personal IEM or wedge monitor mix, without having to consult the audio engineer for assistance. With the M AIR MIX App for Android, personal monitor mixing just got a whole lot more personal – both live and in the studio! But M AIR MIX offers even more; in full access mixing mode, the app provides control over all channel processing including the RTA overlay, effects editing, storing\/loading scenes or presets, and much more – whether you are running a 12\" tablet or a 5\" smartphone.\u003cbr\u003e\u003cbr\u003eDownload the free M AIR CUE for Android App from the androidapps.com.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eSuperb Value\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe feature-packed MR12 is the result of the engineering, manufacturing and application expertise of legendary console manufacturer MIDAS, the iconic signal processing genius of KLARK TEKNIK – and MUSIC’s unique ability to deliver a superior value proposition. MR12's sound quality far surpasses that of competing models, both on paper and in performance. With 12 inputs, 4 MIDAS PRO mic preamps, 2 Aux buses, a built-in Wifi router, a USB connector for simple recording and playback of uncompressed stereo WAV files, MIDI I\/O, and free downloadable apps for iOS, Android and PC, and a host of other high-end professional features, the M AIR MR12 is equipped to handle your most demanding audio application. Visit your local dealer and take a closer look at the M AIR MR12 Digital Mixer, or get yours online – today!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

MIDAS MR12 DIGITAL MIXER

R 11,299.00

DIGITAL MIXER DESCRIPTION 12-Input Digital Mixer for iPad/Android Tablets with 4 Midas PRO Preamps, 8 Line Inputs, Integrated Wifi Module and USB Stereo Recorder FEATURES The MIDAS M32 completely redefined what is possible from a digital mixer – and thousands of users are enjoying the results. Now that technology has been incorporate...

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MIDAS MR18 DIGITAL MIXER

DIGITAL MIXERS

R 14,399.00 R 23,999.00

{"id":2162886082622,"title":"MIDAS MR18 DIGITAL MIXER","handle":"midas-mr18-digital-mixer","description":"\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003cdiv id=\"marketing-copy-collapse\" class=\"marketing-copies collapse show\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch1 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eMR18 DIGITAL MIXER\u003cbr\u003e\n\u003c\/h1\u003e\n\u003ch4\u003eDESCRIPTION\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe Midas M32 completely redefined what is possible from a digital mixer – and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR18 rack-mountable mixer, which will forever change the way you record and the way you play live music.\u003c\/p\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eA Mixer Whose Time has Come\u003c\/h5\u003e\n\u003cp\u003eOver the past few years, the world of recording and performance audio has experienced a major paradigm shift, one that requires musicians and performers alike to take advantage of emerging technologies that offer flexibility and ease of use. The MR18 is an 18-input\/8-bus portable mixer housed in a sturdy stage box design for use with iPad and Android tablets. It is ideally suited for both live and studio applications thanks to 16 award-winning Midas Pro mic preamps, integrated Wifi module for wireless control, MIDI I\/O – and a multi-channel, bidirectional USB Audio Interface. Free iOS, Android and PC apps enable you to move about the venue or the tracking room and manipulate all the parameters of your mix, and the performers have the same freedom to dial-in their personal monitor mixes. Advanced engineering and meticulous design combine to deliver professional-grade performance and impressive affordability – the MR18.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.midasconsoles.com\/product.html?modelCode=P0C8H\" title=\"MIDAS MR18\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eVIEW PRODUCT PAGE\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-05-20T15:48:46+02:00","created_at":"2019-05-20T15:51:27+02:00","vendor":"MIDAS","type":"DIGITAL MIXERS","tags":["Price_R5000 to R15000","Product Type_DIGITAL MIXERS","VENDOR_MIDAS"],"price":1439900,"price_min":1439900,"price_max":1439900,"available":true,"price_varies":false,"compare_at_price":2399900,"compare_at_price_min":2399900,"compare_at_price_max":2399900,"compare_at_price_varies":false,"variants":[{"id":19786302652478,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MR18","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MIDAS MR18 DIGITAL MIXER","public_title":null,"options":["Default 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data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003cdiv id=\"marketing-copy-collapse\" class=\"marketing-copies collapse show\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch1 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eMR18 DIGITAL MIXER\u003cbr\u003e\n\u003c\/h1\u003e\n\u003ch4\u003eDESCRIPTION\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe Midas M32 completely redefined what is possible from a digital mixer – and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR18 rack-mountable mixer, which will forever change the way you record and the way you play live music.\u003c\/p\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eA Mixer Whose Time has Come\u003c\/h5\u003e\n\u003cp\u003eOver the past few years, the world of recording and performance audio has experienced a major paradigm shift, one that requires musicians and performers alike to take advantage of emerging technologies that offer flexibility and ease of use. The MR18 is an 18-input\/8-bus portable mixer housed in a sturdy stage box design for use with iPad and Android tablets. It is ideally suited for both live and studio applications thanks to 16 award-winning Midas Pro mic preamps, integrated Wifi module for wireless control, MIDI I\/O – and a multi-channel, bidirectional USB Audio Interface. Free iOS, Android and PC apps enable you to move about the venue or the tracking room and manipulate all the parameters of your mix, and the performers have the same freedom to dial-in their personal monitor mixes. Advanced engineering and meticulous design combine to deliver professional-grade performance and impressive affordability – the MR18.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.midasconsoles.com\/product.html?modelCode=P0C8H\" title=\"MIDAS MR18\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eVIEW PRODUCT PAGE\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

MIDAS MR18 DIGITAL MIXER

R 14,399.00

MR18 DIGITAL MIXER DESCRIPTION The Midas M32 completely redefined what is possible from a digital mixer – and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR18 rack-mountable mixer, which will forever change the way you record and the way you play live music. ...

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